Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
O Rio is an ambitious drawing together of a number of Latin-American influences, colourful and often compelling, but not wholly...
Reviewed by kYlzrO1BaC7A in issue: 2/1999
These two records, and the CD version of the same music, offer seven of the duets Handel wrote about 1710...
Reviewed in issue 4/1985
This new account of the Requiem bears all the hallmarks of Sir Charles Mackerras’s recent Mozart performances: strong, steady rhythms,...
Reviewed by Stanley Sadie in issue: 7/2003
Composed in 1888 at the tail-end of Delius’s Leipzig sojourn, the tone-poem Hiawatha remained incomplete (the composer having excised two...
Reviewed by Andrew Achenbach in issue: 11/2009
''Everything looked simple, the notes in place, no remarkable tricks, nothing astonishing, the tempi never heard. The interpretation was what...
Reviewed by Richard Osborne in issue: 4/1995
A glance at Graham Parlett’s invaluable catalogue of Bax’s music (OUP: 1999) reveals that the first of the composer’s three...
Reviewed by Andrew Achenbach in issue: 11/2006
At first sight this album‚ with six composers‚ looks like one of those anthologies whose aim is to persuade the...
Reviewed in issue 9/2002
I doubt whether we would hear these somewhat trivial works so often as we do if it wasn't for the...
Reviewed in issue 9/1988
The artists must have debated the matter of presentation, and to good effect. It is always a simple, businesslike and...
Reviewed in issue 5/1993
The Spanish works are far removed from any stereotype, risking dourness in Fabula and aridity in Codex I. Monologos is...
Reviewed by kYlzrO1BaC7A in issue: 13/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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