Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a truly marvellous performance on all counts – staging, conducting and singing. Sir Peter Hall’s direction, his first...
Reviewed by Alan Blyth in issue: 5/2006
With this release Yevgeny Sudbin and Osmo Vänskä launch their Beethoven concerto cycle in a novel and intriguing fashion. Going...
Reviewed by Bryce Morrison in issue: 4/2011
As this Dutton survey shows, Rubbra held an especial fondness for the recorder, which was bolstered further still by his...
Reviewed by Andrew Achenbach in issue: 3/2005
Orff conceived a number of choral works with piano and percussion accompaniment in mind, but Carmina Burana was not one...
Reviewed in issue 3/1996
Hearing this recording of the Dvorak Concerto reminded me of that memorable Prom back in 1968 when a tearful Mstislav...
Reviewed in issue 5/1994
David Shifrin and the Emerson play both works more or less as I imagine them in my mind’s ear –...
Reviewed in issue 9/1999
Smetana's delightful comedy is very welcome back in the domestic catalogue, even if this recording is less than ideal. The...
Reviewed by John Warrack in issue: 6/1993
Recordings of Zemlinsky’s Lyric Symphony don’t always take the obvious step of adding the movements from Berg’s Lyric Suite, one...
Reviewed by Arnold Whittall in issue: 9/2009
Here is another welcome Naxos reinstatement. Two-thirds of a first-rate David Diamond disc that originally appeared on the Delos label...
Reviewed by David Gutman in issue: 9/2004
Once upon a time largely confined to text-book references, the operas of Gluck’s contemporary, Nicolo Jommelli, are now heard with...
Reviewed by Nicholas Anderson in issue: 2/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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