Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Andras Kiss and Ferenc Balogh are the first and second violinists of the New Budapest String Quartet, who are currently...
Reviewed by mjameson in issue: 4/1992
The programme here very happily supplements the other recital of Croft's church music presently available (Hyperion, 4/93) which includes the...
Reviewed in issue 8/1995
Only recently I reviewed in these pages another recording of the same two wedding cantatas by Bach, performed by Emma...
Reviewed by Nicholas Anderson in issue: 1/2000
Forty years ago that pioneering book The Record Guide (Collins: 1951) praised Sir Georg Solti as a pianist, playing Brahms's...
Reviewed by Christopher Headington in issue: 11/1990
The Six Scherzandos which Haydn wrote in 1761 to impress his new patron, Prince Paul Anton Esterhazy, exhibit all the...
Reviewed in issue 11/1995
Les deux journées (1800) was greatly admired in its day‚ not least by Beethoven‚ who is known to have kept...
Reviewed in issue 13/2002
1829 represents, for many, a symbolic rebirth of Bach as a composer whose music was to shape Western musical destiny...
Reviewed by Jonathan Freeman-Attwood in issue: 4/2003
Trevor Harvey generally thought highly of Marriner's Philips CD (although in his original review he suggested the Overture was ''too...
Reviewed by Ivan March in issue: 9/1986
There have been some fine recordings of Victoria's music in recent years, but none finer than this one at its...
Reviewed by Tess Knighton in issue: 3/2000
Generally speaking I am impatient with the view that comparative evaluation of fine performances (whether on recordings or in competitions)...
Reviewed in issue 7/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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