Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When we come to look back over it, agreement will be widespread, I’ve no doubt, that Uchida’s has amounted to...
Reviewed by Stephen Plaistow in issue: 1/2003
I had been looking forward to rehearing this well-known set, expecting it to be a strong rival on CD to...
Reviewed by Alan Blyth in issue: 9/1987
Both quartets have been reissued in LP form on World Records and EMI Treasury. The D minor (Death and the...
Reviewed by Robert Layton in issue: 5/1989
It does not need a superlative performance under a foreign conductor to convince me that A London Symphony is a...
Reviewed in issue 12/1987
Suddenly, and not before time, the Sixth Symphony of Bruckner is riding high. And deservedly so since it is the...
Reviewed by Richard Osborne in issue: 2/1991
What a wonderful piece is Strauss’s operatic swansong. In this inspired Conversation Piece he makes us forget the variously flawed...
Reviewed by Alan Blyth in issue: 11/2000
One of the very first complete recordings of Winterreise was by a woman. After Lotte Lehmann’s pioneering performance in the...
Reviewed by hfinch in issue: 3/1998
Barenboim's annotation explains his approach to the Goldberg Variations; my eyebrows have not travelled so far north since I heard...
Reviewed by John Duarte in issue: 6/1990
Twenty-one years separate Arrau's pre-war recording of Schumann's Carnaval and his formidable account of Chopin's B minor Sonata, recorded in...
Reviewed by Richard Osborne in issue: 11/1991
Hitherto we have heard Rachel Podger only in early chamber works and as Andrew Manze’s partner in Bach double concertos...
Reviewed by Lionel Salter in issue: 7/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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