Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is a fine companionable disc. In sober truth, if I were in trouble and looking for fellowship in music...
Reviewed in issue 3/1992
Spohr's two most popular chamber works go well together, here in performances that come closer to a lyrical, reflective, even...
Reviewed by John Warrack in issue: 11/1995
That ardent and devoted Straussian, William Mann, slated this production (in Opera) when he saw it at its premiere in...
Reviewed by Alan Blyth in issue: 1/2000
My 'innocent ear' impression of these two quartets was of a strikingly original talent gradually losing its direction under the...
Reviewed in issue 1/1989
Our Pilgrimage travels to Rendsburg and Braunschweig for a selection from Bach’s “golden years” of vocal writing, 1723-25. The immediacy...
Reviewed by Jonathan Freeman-Attwood in issue: 12/2008
Alicia de Larrocha’s playing captures an earlier era‚ and her regal poise‚ warm full tone‚ and above all her luminous...
Reviewed in issue 8/2002
This touchingly named recital tells of the man behind the music, whose death the Hilliard Ensemble commemorated in a live...
Reviewed by Fabrice Fitch in issue: 7/1997
Here are goodish but ultimately uncompetitive performances from the Zurich orchestra and Daniel Schweizer. Their account of the Second Symphony...
Reviewed by Robert Layton in issue: 4/1998
So far, Christoph von Dohnanyi's Beethoven symphonies don't appear to have generated much enthusiasm in these pages. After one hearing...
Reviewed by Stephen Johnson in issue: 11/1987
As the composer William Kraft is also renowned as a superb percussionist (he was for many years a member of...
Reviewed by Andrew Achenbach in issue: 2/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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