Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It is rare indeed to encounter a concerto recording where the critical honours can be evenly distributed, but this Bartok...
Reviewed in issue 6/1994
This CD, I suspect, is designed more with the interests of the artists in mind rather than those of the...
Reviewed by Robert Layton in issue: 9/1996
Over the years, Gavin Sutherland and the indefatigable Phillip Lane have created a valuable recorded library of short works by...
Reviewed by Jeremy Nicholas in issue: 12/2006
When the LP was first issued in 1978 it had little in the way of competition. Since then several recordings...
Reviewed by Nicholas Anderson in issue: 12/1991
This is a grand, satisfying performance on almost every count. Its stature allows me for the moment to put aside...
Reviewed by Alan Blyth in issue: 10/1997
Nielsen’s two woodwind concertos and the genial quintet that prepared the way for those later, more acerbic works make a...
Reviewed by David Fanning in issue: 13/2007
You have to have composed a lot of music for 150 chansons to seem like a small part of your...
Reviewed by Lindsay Kemp in issue: 2/1993
This will read like a photocopy of my review for Eschenbach’s recent live recording of Tchaikovsky’s Fourth Symphony. The same...
Reviewed by Edward Seckerson in issue: 9/2008
A pleasing selection of riches for vocal ensemble from the many contained in the German baroque sacred repertoire – mainly...
Reviewed by Lindsay Kemp in issue: 4/1999
Despite a proselytizing essay in the accompanying leaflet, I doubt whether this is a record that will make many converts....
Reviewed in issue 10/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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