Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Freiburg Baroque Orchestra headline with the C major Violin Concerto but their disc is all the more exciting for...
Reviewed by David Threasher in issue: 1/2009
I am a little puzzled by the title of this record, released to mark European Music Year. I suppose it's...
Reviewed by Nicholas Anderson in issue: 11/1985
Of these two new records in Leslie Howard’s magisterial survey, it is, perhaps surprisingly, the transcriptions of Vol. 37 that...
Reviewed by John Warrack in issue: 9/1996
Skimming through new issues my eye was caught by a mouth-watering prospect: Gieseking’s live 1949 performances of those Beethoven sonatas...
Reviewed by Bryce Morrison in issue: 7/2010
An entire disc of Renaissance lute music, especially one that includes no fantasias, can easily be the aural equivalent of...
Reviewed by John Duarte in issue: 13/2003
Beethoven’s Op. 9 String Trios are often put down as practice works – the Master limbering up for his first...
Reviewed by Stephen Johnson in issue: 13/1997
The Henri Hemsch harpsichord, dated 1754, heard on this recording is not to be missed. Restored by Claude Mercier-Ythier, the...
Reviewed in issue 2/1995
This pair of relatively early works by Henri Dutilleux, completed in 1951 and 1959 respectively, show him poised to inherit...
Reviewed by Arnold Whittall in issue: 11/1993
Two little-known works from the first half of the 1950s provide important evidence of Luigi Nono’s early attempts to move...
Reviewed by Arnold Whittall in issue: 10/2004
The combination of Der Rosenkavalier, the pre-renovation Glyndebourne and Montserrat Caballé might seem as likely as Luciano Pavarotti singing Peter...
Reviewed by David Patrick Stearns in issue: 5/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.