Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The most recent and thorough of these orchestral suites is the six-movement paraphrase of Mr Broueek, ingeniously made in 1994...
Reviewed by John Warrack in issue: 12/1999
Forget about orchestral timbres in the transcription of Ravel’s Rapsodie Espagnole that opens this recital. These are pointedly pianistic sonorities....
Reviewed by Nalen Anthoni in issue: 8/2003
With the success of the ecstatic Protecting Veil, it has perhaps been easy to forget just how rigorous and austere...
Reviewed in issue 9/1994
Nordic music is well served for women composers, several of whom – such as Kaija Saariaho, Cecilie Øre and Karin...
Reviewed by Guy Rickards in issue: 2/2006
Barenboim’s extended journey into Wagnerian territory has now brought him to the banks of the River Scheldt and the landing...
Reviewed by Alan Blyth in issue: 1/1999
It was way back in 1974 that Brendel completed his last memorable cycle of Schubert's later (1822–8) piano works (6747...
Reviewed by Joan Chissell in issue: 11/1988
Myung-Whun Chung follows up his inspired recording of Berlioz’s Symphonie fantastique (DG, 4/96) with an equally individual and sympathetic reading...
Reviewed by Edward Greenfield in issue: 3/1997
“Schumann revealed” says the outer cover to this set. That is a fair enough description, when John Eliot Gardiner here...
Reviewed by Edward Greenfield in issue: 6/1998
While I was listening to this handsome new recording of Stravinsky’s unashamedly confrontational Symphony in Three Movements, tragic news of...
Reviewed by Rob Cowan in issue: 8/2008
William Bolcom’s Cabaret Songs (there are 28 of them in all) were composed for Joan Morris, who recorded them with...
Reviewed by po'connor in issue: 4/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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