Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Edison Denisov, like other Russian composers of his generation (he was born in 1929), was already approaching maturity when he...
Reviewed by Michael Oliver in issue: 4/1990
The recording of Alceste in 1956 brought together some of the artists who had performed and recorded Dido and Aeneas...
Reviewed by Richard Lawrence in issue: 13/2008
These are pleasant enough performances of Handel’s Nine German Arias, enchanting settings of his friend Barthold Brockes’s verses celebrating the...
Reviewed by Richard Wigmore in issue: 5/2009
I haven't the slightest doubt in my mind that Kissin is one of the greatest talents to have emerged in...
Reviewed by James Methuen-Campbell in issue: 5/1994
Portugal has never figured large in our musical consciousness in England, and until very recently the name of Joly Braga...
Reviewed by Lionel Salter in issue: 7/1998
Venue, orchestra and conductor/soloist make this DVD virtually self-recommending, especially if you like your Mozart spacious and urbane. There are...
Reviewed by Richard Wigmore in issue: 5/2011
An earlier version of this celebratory mass, completed when Puccini was still only 21, was also on the Erato label,...
Reviewed by Edward Greenfield in issue: 1/1984
Zelenka was one of Bach’s and Telemann’s most musically colourful contemporaries. He was born near Prague but based himself in...
Reviewed in issue 1/1998
Listening to this Nimbus issue, one has immediately to ask again what one wants from one’s transfers of extremely ancient,...
Reviewed by Alan Blyth in issue: 10/1996
Originally Mode’s second release, issued on four LPs in 1986, the 1983 performances of Atlas eclipticalis and Winter Music played...
Reviewed by Philip_Clark in issue: 9/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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