Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In the CD format each symphony can now be heard uninterrupted on a single disc, a not inconsiderable advantage over...
Reviewed by Michael Oliver in issue: 6/1985
I have a soft spot for the Motette recording of Vierne’s Messe solennelle. The sheer noise of organs and choirs...
Reviewed by Marc Rochester in issue: 4/1997
Guitarist Graig Ogden and mandolin-player Alison Stephens have been performing together for 10 years now, and to celebrate have released...
Reviewed by William Yeoman in issue: 10/2009
In the joint role of soloist and conductor, Joseph Swensen masterminds a lithe, spick-and-span account of Dvorák’s Violin Concerto. Although...
Reviewed by Andrew Achenbach in issue: 2/2006
With these famous recordings from the 1980s, Chandos enriches its Opera in English series, and very aptly too, for the...
Reviewed in issue 6/1999
Seeing the Royal Ballet perform Les noces, or watching the Bolshoi in Petrushka and The Firebird, certainly confirms for me...
Reviewed by Ivan March in issue: 9/2006
The title of this disc (“Great Guitar Concertos”) is a misnomer. Castelnuovo-Tedesco’s Romancero gitano for chorus and guitar isn’t a...
Reviewed by William Yeoman in issue: 5/2010
The only problems with Stravinsky's own account of the Symphony of Psalms are the rather dated recording (a bit dense...
Reviewed by Michael Oliver in issue: 12/1988
Nikolai Lugansky and Sakari Oramo conclude their Rachmaninov cycle with the Second and Fourth Concertos, generally matching the proficient (though...
Reviewed by Jed Distler in issue: 11/2005
The Van Cliburn International Piano Competition may have attracted more than its fair share of opprobrium but the tenth event...
Reviewed by Bryce Morrison in issue: 3/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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