Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Debussy disliked the term 'impressionism' applied to his music, with justification. But I can't resist quoting from his description of...
Reviewed by John Steane in issue: 9/1992
Assuredly, the vogue for setting classics in modern-day dress and settings will soon run its dismal course. This Met production,...
Reviewed by Alan Blyth in issue: 3/2004
Francesco Libetta, a 35-year-old pianist whose repertoire stretches from Beethoven’s 32 Sonatas to the 53 Chopin-Godowsky Etudes, is described by...
Reviewed by Bryce Morrison in issue: 12/2003
Concerning his conversion to the performance of Schubert on period instruments, Steven Lubin, pianist with The Mozartean Players, writes: ''I've...
Reviewed in issue 7/1994
All these works were commissioned for Yo-Yo Ma which makes the performances definitive in at least one sense. Fortunately, David...
Reviewed in issue 3/1997
Having reviewed the first volume of this Carissimi project last month‚ I find my initial impressions mainly confirmed. The previous...
Reviewed in issue 11/2001
This CD more or less duplicates a recording made by the choir of St George’s Chapel, Windsor (save the inclusion...
Reviewed by Jeremy Dibble in issue: 12/2009
I had not heard of the Kocian Quartet before, although the group was formed in the mid-1970s, three of the...
Reviewed in issue 5/1985
Rimsky-Korsakov's 'autumnal parable' is a strange and fascinating work. Cast in one act (three linked scenes), it tells of the...
Reviewed by John Warrack in issue: 12/1999
It is all too easy to pigeon-hole composers. Geminiani, forever associated with Corelli by his violin playing and his concerto...
Reviewed in issue 11/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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