Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Alberni Quartet's way with the two Britten quartets is, as I wrote in May 1988, more ''public'' and sketched...
Reviewed by Michael Oliver in issue: 3/1989
Thirteen years ago these recordings provided a more than welcome stop-gap for those of us keen to encounter one of...
Reviewed by David Fanning in issue: 3/2004
Uniko (2004) is a suite for accordion, vocals (none too effective), string quartet and electronics, originally (according to Sky Arts’...
Reviewed by Guy Rickards in issue: 6/2011
Both these performances of Schubert's Great C major Symphony (in fact so called to distinguish it from the Little C...
Reviewed by Lionel Salter in issue: 4/1990
This intriguing recital shows Joseph Marx (1882-1964) as a defiantly throwback composer often struggling to find his individual voice in...
Reviewed by Bryce Morrison in issue: 9/2008
The Freiburg Baroque Orchestra score ten out of ten for vitality in their pleasingly varied programme of pieces by Bach...
Reviewed by Nicholas Anderson in issue: 4/1994
It’s known that Mozart didn’t have time to finish two of these sonatas (K379 and 454) before their first performances;...
Reviewed by DuncanDruce in issue: 6/2009
To quote Ruckert/Mahler, “Sie hat so lange nichts von mir vernommen” (“You have heard nothing from me for so long”),...
Reviewed by Alan Blyth in issue: 4/1998
These days one tends to think of The Rite of Spring as an orchestral tour de force, so it’s worth...
Reviewed by David Gutman in issue: 2/2001
I have always thought Der Cornet to be among Martin's greatest compositions and one of the most powerful works of...
Reviewed by Robert Layton in issue: 11/1995
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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