Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Apostolo Zeno's libretto Griselda is derived from Boccaccio, served as the text for Alessandro Scarlatti's final opera at Rome, and...
Reviewed by David Vickers in issue: 4/2008
This is a Puccini recital disc with a difference. The title, “Sole e amore” (“Sunshine and Love”) is taken not...
Reviewed by Edward Greenfield in issue: 8/1997
Both as symphonist and operatic composer the 70-year-old Joonas Kokkonen has been rather overshadowed in recent years by his younger...
Reviewed in issue 3/1992
The evocative sound of the Deller Consort is one of the lasting wonders of the pioneering years of the early...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2000
The young Scottish percussionist Colin Currie first came to prominence in 1992 when he won the prestigious Shell/LSO scholarship at...
Reviewed by mharry in issue: 8/1998
To all the naysayers, bug-eyed sceptics and disapproving doubting Thomases, listen up: a third apostle has spoken. If Leonard Bernstein’s...
Reviewed by Philip_Clark in issue: 9/2009
This exceptionally interesting programme celebrates the work of six composers who, as Emanuele Arciuli tells us in his lively and...
Reviewed by Bryce Morrison in issue: 9/2000
This is the genuine article – live and alive – an unpatched one-off performance bursting at the seams with passion,...
Reviewed by John Steane in issue: 6/1999
Fleeing from Hitler in the 1930s, Korngold, Weill and Krenek all went to the United States, but fared very differently....
Reviewed by Edward Greenfield in issue: 4/1997
Messiaen’s La Nativité du Seigneur is one of the greatest 20th-century organ works. Some of the nine movements celebrating the...
Reviewed by Peter Dickinson in issue: 7/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.