Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is an hour of pure self-indulgence. Composer/violinist Paul Giger does not try to rationalize about this extraordinary performance, ''Recorded...
Reviewed in issue 8/1989
One could call this Trout pointless and leave it at that. But it seems a damned cheek to dismiss artists...
Reviewed in issue 11/1986
In 1969, when Decca's first ''Salute To Percy Grainger'' appeared, there were not many works by this composer available on...
Reviewed in issue 1/1990
There can surely be no doubt as to Richter's current status as elder statesman of the piano world. And collectors...
Reviewed in issue 3/1993
“Modern sacred choir music”, proclaims the cover of this disc. A relative term indeed, ‘modern’ – in this case one...
Reviewed in issue 3/1997
Rodion Pogossov, a young Moscow-born baritone who has already sung small roles at the Metropolitan Opera, has an attractive voice...
Reviewed by Alan Blyth in issue: 2/2007
The celebrated 1985 Carlos Kleiber Munich recording has already appeared on DVD, and reappears now in his memory; TDK’s, from...
Reviewed by mscott rohan in issue: 3/2005
Celebrated in his day as the “Orpheus of Amsterdam”, Sweelinck’s rich and diverse vocal output has been overshadowed somewhat by...
Reviewed by Malcolm Riley in issue: 2/2010
Wynton Marsalis was born in New Orleans and began his musical career in the world of jazz. He soon made...
Reviewed by Ivan March in issue: 12/1983
This is a mixed bag of mainstream mid-century American choral music, Randall Thompson—like Virgil Thomson a good Harvard man—has specialized...
Reviewed by Peter Dickinson in issue: 6/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.