Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A splendid disc, imbued with freshness and vitality. Employing three different instruments – a Flemish harpsichord (1652) by Couchet, a...
Reviewed by Lionel Salter in issue: 5/1997
If I understand Philip Pickett correctly—and a little essay about the background to this record is all we get by...
Reviewed in issue 10/1989
Those readers who warmed to Benjamin Zander’s studio recording of Mahler’s Fifth (7/01) should be happy with the present offering....
Reviewed in issue 13/2001
The church music of the Salzburg composer Michael Haydn was greatly admired by his contemporaries, but not much of it...
Reviewed by Stanley Sadie in issue: 2/1994
Thomas Arne was for many years the leading figure in music for the London pleasure gardens, particularly the largest and...
Reviewed in issue 5/1988
Captivating though it is, the success of his 1882 Cello Sonata rather surprised Grieg himself: ''I myself do not rank...
Reviewed by Robert Layton in issue: 10/1994
A baker’s dozen strong, this mixed choir sing in the manner popularized by such groups as the Tallis Scholars. Singing...
Reviewed by Fabrice Fitch in issue: 4/1998
A disc of charm and curios, which might satisfy all of the would-be-performer, the scholar or those merely wanting a...
Reviewed by Mike Ashman in issue: 1/2007
Having won last year’s Solo Vocal Gramophone Award with a disc of Schumann Lieder (Hyperion, 8/96), Schafer here...
Reviewed by Alan Blyth in issue: 2/1998
Having greatly enjoyed Nicholas Danby's previous foray into Bach for Sony Classical (CBS, 6/90) I was delighted to be sent...
Reviewed in issue 5/1995
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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