Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It is a pity that the essay by Jeremy Commons and Peter Murray, included in the original LP booklet, was...
Reviewed in issue 5/1993
Director and fortepianist Jos van Immerseel is a veritable pioneer of period Mozart. Belgian period-instrument orchestra Anima Eterna’s exuberant performances...
Reviewed by David Vickers in issue: 8/2006
Early Rubinstein can be as winged and free-spirited as Ariel himself. The first release of the first of no fewer...
Reviewed by Bryce Morrison in issue: 2/1999
Though in his late forties, Alexei Lubimov (one of the last pupils of the renowned Heinrich Neuhaus) is still enough...
Reviewed by Joan Chissell in issue: 7/1993
The neglect of Alphons Diepenbrock (1862–1921) outside Holland is I suppose understandable, though a pity. He wrote no symphonies or...
Reviewed by Michael Oliver in issue: 8/1990
Gerd Albrecht and his Cologne Radio forces have given us fine recordings of rare Dvorák works. Here they add one...
Reviewed by Edward Greenfield in issue: 6/2007
The first two in Sir Peter Maxwell Davies’s cycle of 10 Naxos quartets (A/04) presaged great things, an impression amply...
Reviewed by Andrew Achenbach in issue: 6/2005
Among the most attractively performed pieces here is the C major Sonata, K403, a work Mozart never completed. It was...
Reviewed by Rob Cowan in issue: 7/2008
In the CD booklet Dorian Recordings make much of their concern for high fidelity and of the special acoustic qualities...
Reviewed in issue 10/1989
It was, I believe, Oscar Wilde who said that all bad poetry is sincere – a harsh grain of truth...
Reviewed in issue 1/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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