Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There are performances that take you through a familiar work as though you were hearing it for the first time....
Reviewed by Stephen Johnson in issue: 9/1998
The sonatina is well known, and deservedly so; the sonata and fantasy much less so. All respond very well to...
Reviewed in issue 4/1992
It is nearly eight years since this Schumann song series was inaugurated, and the arrival now of Volume 5, though...
Reviewed by John Steane in issue: 4/2000
Both these versions of the Rachmaninov Concerto have their plusses and minusses. Few interpreters on record have shown as much...
Reviewed by Stephen Johnson in issue: 5/1990
For almost all his career Heifetz recorded for Victor and RCA. From 1942, however, the American recording industry was in...
Reviewed by Andrew Lamb in issue: 11/2006
Dead Elvis is an oddball amalgam of the Dies irae chant and what Elvis fans will know as It’s Now...
Reviewed in issue 13/1998
These two works‚ which frame almost half a century of cultural upheaval‚ have surprisingly seldom been coupled. Although the personnel...
Reviewed in issue 6/2002
Solti made his first recording of Mahler's Fourth Symphony (Decca 7BB178, 11/75) with the Concertgebouw Orchestra had made a legendary...
Reviewed by Richard Osborne in issue: 7/1984
Born in St Asaph, North Wales in 1975, Paul Mealor (like the Con Anima Choir and other artists here) has...
Reviewed by Ivan March in issue: 1/2010
What a wonderful trumpeter the young Sergei Nakariakov is! So beautiful is his tone, so naturally musical is his phrasing,...
Reviewed by Ivan March in issue: 8/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.