Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Few would mistake this for a period-instrument Seasons. Pavel Sporcl and the Prague Philharmonia are unafraid to use vibrato, and...
Reviewed by Lindsay Kemp in issue: 6/2008
Strange indeed that Mozart, who professed to dislike the flute, could have written the appealingly tender Andante, K315. Bernhard Krabatsch...
Reviewed by Nalen Anthoni in issue: 7/2010
A welcome extension of this fine singer’s repertoire on record, the programme exploits much that is best in her voice...
Reviewed in issue 1/1997
Any cellist who can master the wrist-twisting technical demands of Kodaly’s Solo Sonata earns my sincerest admiration. Maria Kliegel rises...
Reviewed in issue 3/1997
''Music was the main way John Cage made himself into who he was'' writes David Revill, one of the many...
Reviewed in issue 8/1994
Here, uniquely, you can hear Chopin and Chopin-Godowsky side by side, marvelling or shuddering at the way Chopin’s original is...
Reviewed by Bryce Morrison in issue: 11/2005
David Fray directs the Deutsche Kammerphilharmonie Bremen as well being the soloist in these performances, but you have to wonder...
Reviewed by Lindsay Kemp in issue: 4/2009
The Venice Baroque Orchestra’s first Archiv collaboration with their regular guest soloist Giuliano Carmignola could almost be a retrospective sampler...
Reviewed by Lindsay Kemp in issue: 12/2005
This is a most important—and overdue—issue. It has taken nine years for Henze's Seventh Symphony to appear on disc, an...
Reviewed in issue 11/1993
I think the orchestral opening to the Allegro moderato of the first of these two D major Concertos reflects an...
Reviewed by Christopher Headington in issue: 12/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.