Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is musical gold indeed. Martin Helmchen is a 27-year-old German pianist who won the Clara Haskil Competition in 2001...
Reviewed by Bryce Morrison in issue: 5/2009
Boccherini's friend and patron the Marquis Benavente asked him to adapt some of his existing chamber works to include a...
Reviewed by John Duarte in issue: 6/1990
I don't think it's just my imagination, subliminally affected by the name of Bryden Thomson and the Chandos logo: surely...
Reviewed by Michael Oliver in issue: 12/1989
This is a most intelligent coupling of two English masterpieces for the cello, neither being an orthodox concerto and neither...
Reviewed in issue 5/1988
Oberon has always been a problem opera, ever since Weber conducted it at Covent Garden in 1826. Compelled to fit...
Reviewed by John Warrack in issue: 3/1998
Time rushes on downhill; can it really be 20 years ago that Valerie Masterson enchanted English National Opera audiences as...
Reviewed in issue 9/1999
As Peter Holman rightly points out in his sleeve-note to this issue, ''for every hundred people who know Orfeo and...
Reviewed in issue 7/1985
Nuits des hommes (‘The Night of Mankind’, 1995-96) is not really an opera, despite its prospective inclusion in David Fanning’s...
Reviewed by Guy Rickards in issue: 8/2005
It is not far short of 40 years since Sir Colin Davis with the LSO made his first electrifying recording...
Reviewed in issue 5/2001
For all its fresh, lavish packaging, this Rosenkavalier set is the long-circulated, good-to-excellent 1976 studio recording licensed from Philips by...
Reviewed by David Patrick Stearns in issue: 10/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.