Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These extracts, culled from the radio archives, will be manna to the many admirers of Fritz Wunderlich. They derive from...
Reviewed by Alan Blyth in issue: 10/1989
The Glagolitic Mass has been recorded by two British-based conductors, Mackerras and Rattle, as well as several of their Czech...
Reviewed by John Warrack in issue: 7/1991
Franz Lehár was a reluctant operetta composer. His ambitions lay in serious music. When his three-act Kuku?ka was produced in...
Reviewed by Andrew Lamb in issue: 12/2002
The late Trevor Harvey gave a warm and well-deserved welcome to the English, Scottish and Cornish Dances, when these recordings,...
Reviewed by Edward Greenfield in issue: 12/1990
Szymanowski’s violin and piano works owe much to the example of his violinist compatriot Pawe³ Kochan´ ski, clearly an artist...
Reviewed by David Fanning in issue: 7/2009
Out come the stars, one by one or two by two and then six of them in a galaxy. Some...
Reviewed in issue 12/1996
Rodion Shchedrin’s long and varied worklist includes five Concertos for Orchestra, a form (if it can be called that) which...
Reviewed by John Warrack in issue: 8/2010
Johann Mattheson (1681-1764) was a respected musical theorist and a friend of the young Handel in Hamburg. The two famously...
Reviewed by David Vickers in issue: 11/2009
Though Dies natalis was first sung and first recorded by a soprano (Elsie Suddaby and Joan Cross respectively), it is...
Reviewed in issue 9/1997
Where other CD booklets include a note on Winterreise – 800 words, 1,200 if you’re lucky – Graham Johnson gives...
Reviewed by Richard Wigmore in issue: 1/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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