Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Alpine Symphony has taken a lot of critical stick over the years but has survived displeasure as all good...
Reviewed in issue 4/1986
I hope it will not be too long before we have new CD versions of Tippett's symphonies by one orchestra...
Reviewed by Arnold Whittall in issue: 7/1990
In putting this agreeable recital together Paul Crossley was apparently asked to concentrate on the lyrical side of Liszt's piano...
Reviewed in issue 2/1984
There was a great deal of excitement in piano circles when EMI's world premiere recording of a “lost concerto by...
Reviewed by Jeremy Nicholas in issue: 3/2007
This is a superb offering, indicative of the high standards now obtaining at the Kirov. Its director Gergiev determined to...
Reviewed in issue 7/1995
Hesperion XX's series of recordings for the Sociedad Estatal Quinto Centenario (the body founded in 1992 to commemorate 'Columbus' year)...
Reviewed by Tess Knighton in issue: 10/1993
Remembered principally (or exclusively) for his verse-anthem “at the Restauration”, O Lord, grant the King a long life, Dr William...
Reviewed in issue 10/1998
Purcell is doing spectacularly well at the moment. As the tercentenary of his death approaches, more and more musicians are...
Reviewed by David Fallows in issue: 6/1993
Maverick modernist Stefan Wolpe (1902-72) has, at the very least, an impressive walk-on part in 20th-century music. Befriended by Busoni...
Reviewed by David Gutman in issue: 9/2006
Though the Mozart Requiem and the name of Rudolf Kempe associated with it will probably be the main selling attractions...
Reviewed in issue 10/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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