Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If you propose to issue a CD of new concerto performances at about two-thirds of the normal price it seems...
Reviewed in issue 1/1987
Here is a Figaro to put with the 1973 Glyndebourne production placed among the top five operatic DVDs (4/08). Presiding...
Reviewed by John Steane in issue: 8/2008
Here is another significant document in this historic series, because it enshrines valuable extracts from the original Viennese performances of...
Reviewed by Alan Blyth in issue: 11/1994
Although the Christmas Story is surely one of Schutz's most popular and frequently performed works, it has not often been...
Reviewed in issue 10/1985
Despite the constant presence of female voices, De Tijd (''Time'') is essentially a large-scale instrumental composition, drawing inspiration from the...
Reviewed in issue 3/1994
Life did not deal kindly with Gustav Allan Pettersson (1911-80), as Andreas Meyer's biographical note accompanying this new disc makes...
Reviewed in issue 3/1994
While the Busch Chamber Players’ 1935 recording of Bach’s Brandenburg Concertos (reissued on EMI, 12/91) has entered gramophone legend, their...
Reviewed by Nicholas Anderson in issue: 10/1997
As the Naxos Deutsche Schubert-Lied-Edition is arranged by poet, Mayrhofer will win equal prominence alongside his more illustrious counterparts, Goethe...
Reviewed by Richard Fairman in issue: 9/2000
No dynamic indications or marks of expression in three of the sonatas; and No 53 (Christa Landon’s chronology is followed)...
Reviewed in issue 10/2002
I'm sure I should have liked this but I found that the distractions, intentional and otherwise, were far too obtrusive....
Reviewed in issue 2/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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