Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In Renaissance times‚ when much lute music was unpublished‚ many amateurs compiled their own books of pieces that came their...
Reviewed in issue 8/2002
Although my personal response to Gorecki's Third Symphony has cooled somewhat since I first heard it some eight years ago,...
Reviewed by Michael Stewart in issue: 4/1993
Brahms is never particularly easy to record and though the sound on this new DG recording is perfectly adequate, I...
Reviewed by Richard Osborne in issue: 9/1988
When it first appeared in 1981, Repons was hailed on two counts: as marking Boulez’s return to large-scale composition, after...
Reviewed by kYlzrO1BaC7A in issue: 3/1999
These new recordings don’t radically change the basic impressions of the Valencia Ring established in the performances of Das Rheingold...
Reviewed by Arnold Whittall in issue: 6/2010
Blu-ray, the latest advance in technology, can be sampled in this audio issue by the Trondheim Soloists, directed with much...
Reviewed by Ivan March in issue: 11/2008
If the Dutch have been keeping such a composer as Alphons Diepenbrock to themselves all these years (Chandos's continuing survey...
Reviewed by Michael Oliver in issue: 6/1991
This CD is issued as part of EMI’s Debut series, a fact more subtly alluded to on the cover than...
Reviewed by DuncanDruce in issue: 2/2003
One wonders how many collectors want to buy a collection of this kind; in effect a concert—recorded live. The music-making...
Reviewed by Ivan March in issue: 4/1989
The pairing of Ich habe genug (in a version for high voice) and Mein Herze schwimmt in Blut is a...
Reviewed by Jonathan Freeman-Attwood in issue: 3/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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