Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There are three string-playing conductors whose recorded interpretations are guaranteed to deliver some measure of delight: Pablo Casals, Alexander Schneider...
Reviewed by Rob Cowan in issue: 2/2006
Ives never finished his Universe Symphony but he left sketches and an open invitation for others to do so. David...
Reviewed by Peter Dickinson in issue: 7/2004
Commissioned by the Stuttgart Ballet, choreographed by David Bintley and first given in April 1995, Edward II is the third...
Reviewed by Andrew Achenbach in issue: 5/2000
Both Martinon and Marie-Claire Alain have recorded the Organ Symphony on at least one other occasion—Martinon with Bernard Gavoty as...
Reviewed in issue 8/1993
Only last year, Virgin Classics issued Edo de Waart's fine accounts of Strauss's Sinfonia domestica and the early Suite for...
Reviewed in issue 1/1993
La Venexiana have recorded most of Monteverdi’s secular works, including the madrigals and his first and last operas, their account...
Reviewed by kYlzrO1BaC7A in issue: 12/2010
With a huge number of versions of Vivaldi’s hardy perennial currently available it seems extraordinary that record companies can still...
Reviewed by Nicholas Anderson in issue: 1/1998
With so many hopes placed on the first Norrington recording of a Mozart opera and the first of the Flute...
Reviewed by Alan Blyth in issue: 11/1991
Faced with Cziffra’s tumultuous and rapacious virtuosity the critic reels into schizophrenia, awed and confused, dazzled and nonplussed. The performances...
Reviewed by Bryce Morrison in issue: 8/1999
You will look in vain for the name of Nicholas Maw (b. 1935) in the current Master Edition of The...
Reviewed by Arnold Whittall in issue: 9/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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