Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
For her second disc of Mozart arias (the first was reviewed in December 1991), Cecilia Bartoli tries on the costumes...
Reviewed in issue 11/1994
The major event here is the recording of Five Pianos, which was premiered in Berlin in 1972 with Cage, Cardew,...
Reviewed by Peter Dickinson in issue: 12/1995
Truls Mork, born in Bergen in 1961, was the first Scandinavian musician to be a finalist and prize-winner in the...
Reviewed by Ivan March in issue: 1/1994
With the exception of the Bach and Schubert arrangements this is all relatively early, pre-serial Webern, yet Boulez devotes as...
Reviewed by Michael Oliver in issue: 3/1996
Writing in prose as delirious as his playing, Yevgeny Sudbin speaks in his accompanying nine-page essay of the incomprehension that...
Reviewed by Bryce Morrison in issue: 12/2007
“Op 74 is an underrated masterpiece of deep consummate beauty of thought and execution.” Robert Simpson’s words, taken further by...
Reviewed by Nalen Anthoni in issue: 3/2009
Delirio amoroso, the cantata of this CD's title, and Languia di bocca lusinghiera are the only two of the four...
Reviewed by Stanley Sadie in issue: 5/2000
Two differing opinions of Buxtehude's position in musical history are sometimes voiced. The first that had it not been for...
Reviewed by Marc Rochester in issue: 8/1989
It's a good year for Simon Boccanegra. First Glydebourne, in Sussex and at the Proms, then a CD release of...
Reviewed by hfinch in issue: 9/1986
The biggest work here is Franck's Sonata, which was written—like the Saint-Saens, which preceded it by a year—in the mid-1880s....
Reviewed by Christopher Headington in issue: 4/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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