Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I have heard a good few performances of the overture to Forza in my time but none quite so electrifying...
Reviewed by Alan Blyth in issue: 6/1999
George Antheil's Ballet mecanique (1925-6) has acquired a notoriety—through textbook reference rather than performance—out of all proportion to its musical...
Reviewed by Arnold Whittall in issue: 4/1994
In this elegant and imaginative contribution to the four hundredth anniversary of the death of Lassus, the music of the...
Reviewed by Fabrice Fitch in issue: 6/1994
From the dramatic flourish which begins the Toccata, Adagio and Fugue Simon Preston commands our undivided attention. He holds it...
Reviewed by Marc Rochester in issue: 6/1992
At first glance, this disc has a somewhat bizarre look to it. One is familiar enough with extractions of instrumental...
Reviewed by Lindsay Kemp in issue: 3/1992
Dodgson tackles the sonata with a Haydnesque wit and avoidance of the obvious. His deft and never slavish adherence to...
Reviewed by kYlzrO1BaC7A in issue: 9/1998
Sir Charles Mackerras's high accomplishment as a conductor of Mozart's operas has been thinly represented in the record catalogue, which...
Reviewed by Stanley Sadie in issue: 4/1994
Deborah Calland has established quite a niche for herself at a time when the trumpet is enjoying prominence as a...
Reviewed by Jonathan Freeman-Attwood in issue: 9/2006
Vincent d’Indy’s Second Symphony (1902-3) is a mighty utterance, epic in ambition and scale (its four movements total some three-quarters...
Reviewed by Andrew Achenbach in issue: 8/1996
A second release from XVIII-21 of the music of the Jesuit missionaries in China, this time joined by Chinese musicians...
Reviewed by Lindsay Kemp in issue: 4/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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