Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There are plenty of records coupling Janá¶ek’s two string quartets‚ in various versions of the score. He changed his mind...
Reviewed in issue 11/2001
This disc showcases American composer John Harbison's creativity in chamber music but it is a performance by Lorraine Hunt Lieberson...
Reviewed by Andrew Druckenbrod in issue: 2/2007
Although Valentin Silvestrov is decently represented on disc, a cycle of his eight (to date) symphonies has yet to emerge....
Reviewed by Richard_Whitehouse in issue: 3/2010
I first heard this sequence of eight works by Charpentier on French Radio last year. The concert was part of...
Reviewed by Nicholas Anderson in issue: 2/1990
Whatever the craft, accelerated fashions can soon render obsolete practitioners whose work has remained largely unchanged for centuries. This disc...
Reviewed by Jonathan Freeman-Attwood in issue: 4/2010
Kurt Nikkanen has the supreme gift of sounding totally natural and spontaneous in degrees of expressiveness one would normally regard...
Reviewed by Edward Greenfield in issue: 3/1991
Eiji Oue (pronounced A. G. OH-way, as the booklet says) has been Music Director of the Minnesota Orchestra since 1995....
Reviewed by Edward Greenfield in issue: 10/1999
From the moody atmospherics of the opener‚ Yerevan and the alt. country feel of the title track‚ it is clear...
Reviewed in issue 8/2002
No work of Mussorgsky’s – even Mussorgsky’s – has a more tangled history than St John’s Night on the Bare...
Reviewed in issue 1/1998
The first thing to be said about Richard Hickox's Stravinsky is that it receives quite vividly brilliant instrumental solo playing:...
Reviewed by Michael Oliver in issue: 4/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.