Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Blumenfeld's Etude for the left hand is the only one of his 18 studies to remain in the repertoire, occasionally...
Reviewed by Bryce Morrison in issue: 12/1995
This is the fourth CD of Michael Finnissy’s music to be released on NMC and the first to be devoted...
Reviewed in issue 6/1999
The young Swedish pianist Francisca Skoogh makes a strong impression in Brahms. Her playing is big-boned, grandly sculptured, with taut...
Reviewed by Tim Parry in issue: 12/2002
Of all Brahms’s chamber music, I’ve always felt his finest works were the quintets and sextets. In the smaller line-ups...
Reviewed by Harriet Smith in issue: 1/2007
This unnecessarily arid survey of John Cage and the cello contains only one work specifically designed for the instrument, the...
Reviewed by Philip_Clark in issue: 7/2007
At last. Ever since the dawn of the CD era many of us having been waiting for reissues of records...
Reviewed by David Fallows in issue: 7/1992
I believe this series of Tartini’s violin concertos by L’Arte dell’Arco is the first comprehensive survey of the repertory on...
Reviewed by Nicholas Anderson in issue: 8/1999
Although recorded in EMI's hi-fi orientated Studio Two system which usually produced a bright treble response, the Fremaux version of...
Reviewed by Ivan March in issue: 7/1989
Fifteen years have elapsed since Decca gave us Ashkenazy's much-praised original LP coupling of the Corelli Variations and second set...
Reviewed by Joan Chissell in issue: 6/1988
This third instalment of the Chandos Berkeley Edition, celebrating the centenary of Lennox Berkeley and the contrasting achievements of his...
Reviewed by Edward Greenfield in issue: 8/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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