Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is a solidly presented disc accompanied by a 95-page booklet, comprising Vol. 27 of the Philips Complete Mozart Edition....
Reviewed by Christopher Headington in issue: 5/1992
For all the resurgence of interest in church music of the French Baroque we still hear astonishingly little of Couperin's...
Reviewed by Nicholas Anderson in issue: 5/1985
It was an ingenious idea to couple parallel works by these two composers, all the more as Martinu, at the...
Reviewed by Lionel Salter in issue: 6/1996
The information on these discs might lead many to assume Holmboe had written an Alkanlike sequence of preludes‚ of which...
Reviewed in issue 12/2001
If the First Cello Concerto here fails to sound much like other Villa-Lobos works you may know, it's because it...
Reviewed by Lionel Salter in issue: 11/1989
During the second half of the 17th century and early 18th, the music of Jean-Baptiste Lully and the ceremonial, theatrical...
Reviewed by Julie Anne Sadie in issue: 12/2000
Composed respectively in 1957 and 1961, these Maconchy mini-operas were revived last year by the privately funded Independent Opera group....
Reviewed by David Gutman in issue: 5/2009
Tatyana Nikolaieva was in at the birth of Shostakovich's Preludes and Fugues, and she made them one of the corner-stones...
Reviewed in issue 2/1995
Dimitri Terzakis’s undemonstrative fusion of Greek traditional elements with post-war western techniques gradually takes shape in the works featured here....
Reviewed in issue 12/1998
Regular readers will know that I’ve often sung the praises of Albert Sammons’ 1929 account of Elgar’s Violin Concerto with...
Reviewed in issue 5/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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