Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Still relishing the rich fruits of Bach’s prolific first year in Leipzig (1723)‚ Masaaki Sukuki brings us four more fine...
Reviewed in issue 2/2002
Nobody but a reviewer, of course, should try to listen to either of these issues straight through: it would be...
Reviewed by Lionel Salter in issue: 4/1987
This is the first CD version of Mahler's Sixth Symphony. It makes a big, robust sound, less refined than the...
Reviewed by Richard Osborne in issue: 3/1985
This is a spacious view of Schubert's music for piano trio. The Fontenay Trio are a gifted ensemble of young...
Reviewed by Christopher Headington in issue: 1/1989
Listening to these bright, effervescent but by no means lightweight performances, the first word that sprang to mind was “sane”....
Reviewed by Rob Cowan in issue: 1/2007
Sir Adrian Boult's unashamedly old-fashioned, but immensely enjoyable set of Brandenburgs dates from the early 1970s. After the invigoratingly robust...
Reviewed by Ivan March in issue: 5/2000
On the face of it‚ Jenö Jandó has taken his time over Schubert. At least‚ his Schubert recordings have been...
Reviewed in issue 4/2002
When I was a boy, I had a Parlophone 78 which greatly appealed to me of Lili Kraus playing Beethoven’s...
Reviewed by Jeremy Nicholas in issue: 8/2006
“The Schubert of this quintet is not the great Schubert, but the one whom we cannot help but love.” Pertinent...
Reviewed in issue 1/1996
Howard Shelley adds to his formidable list of recordings of long-neglected Hummel works, three of them concertante pieces for piano...
Reviewed by Edward Greenfield in issue: 6/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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