Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Between them, John Rutter and Richard Marlow with their Cambridge choirs here cover all Poulenc's sacred choral music except the...
Reviewed by Lionel Salter in issue: 10/1988
Bach's four Missae, or Lutheran Masses consisting only of a Kyrie and Gloria have come in for a lot of...
Reviewed by Nicholas Anderson in issue: 10/1993
Truly legendary performances are rare, whatever it says on the label, but this heroic account of the Dvorák Concerto deserves...
Reviewed by David Gutman in issue: 7/2003
''The Rodolfus Choir consists of young people who have attended one or more of the Eton Choral Courses. Many are...
Reviewed by Marc Rochester in issue: 7/1993
''The cello, it has always seemed to me, is the most vocal of instruments: it is the only one that...
Reviewed in issue 6/1990
As I commented when reviewing the LP reissue in July 1987, this bargain Die Fledermaus is far from negligible. Wilma...
Reviewed by Andrew Lamb in issue: 2/1989
When this Salome first appeared almost 40 years ago (can it be so long?), it was compared unfavourably with the...
Reviewed by Alan Blyth in issue: 5/1994
Much has already been written about Gilbert Kaplan's extraordinary obsession with Mahler's Resurrection Symphony. A wealthy publisher and financier, he...
Reviewed in issue 1/1989
During 1995 Peter Maxwell Davies toured the USA with the BBC Philharmonic Orchestra. A British journalist, trying to contact him...
Reviewed by Michael Oliver in issue: 8/1998
After Cinderella (reviewed above), and one year before their final opus, The Sound of Music, Rodgers and Hammerstein wrote Flower...
Reviewed by Adrian Edwards in issue: 9/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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