Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
William Conway and Peter Evans offer first-rate performances of the sonatas of Debussy and Poulenc and the Frank Martin Ballade...
Reviewed by mjameson in issue: 11/1991
I’d always thought of Bridge’s Piano Quintet (written in 1904-05 and drastically revised in 1912) as the solitary failure in...
Reviewed by kYlzrO1BaC7A in issue: 12/2010
‘Know thine audience’ would seem to be Erato’s maxim in issuing yet another sequel to its hugely successful ‘Agnus Dei’...
Reviewed by Fabrice Fitch in issue: 12/2000
One would say at once that this is a highly competitive recording of the Faure Requiem (it will be the...
Reviewed in issue 9/1994
As can be seen above, these two telecast concerts from 1961 and 1963, respectively, were previously issued on separate videos....
Reviewed by Ivan March in issue: 6/2003
Manfred Schenk has been a stalwart of the opera scene in Germany for some 25 years, but his voice has...
Reviewed by Alan Blyth in issue: 12/1991
This disc of Sergey Taneyev’s three string trios comes at a good time. Given the scarcity of Russian contributions to...
Reviewed by David Fanning in issue: 11/2008
Historical DVDs have either a primarily documentary interest, or – at their finest – recreate concert performances with such immediacy...
Reviewed by Ivan March in issue: 1/2003
This, of course, is the classic performance that cleared the TV schedules and launched Gheorghiu to super-stardom. Now the glamour...
Reviewed in issue 6/2001
Haydn is believed to have composed at least three concertos for solo horn, but one of them has disappeared, and...
Reviewed by rgolding in issue: 8/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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