Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The subtitle of this fine recital disc by Cecilia Bartoli is ''arias composed for Isabella Colbran: Rossini's primissima donna''. Colbran...
Reviewed by Richard Osborne in issue: 2/1992
We seem to be in danger of becoming spoilt by the number of fine recordings of Poulenc’s a cappella religious...
Reviewed by Lionel Salter in issue: 8/1996
I have always been puzzled as to why very early Decca LP recordings often have such a thin sound, for...
Reviewed in issue 9/1990
Chopin's concertos are hardly without their justifiably celebrated and recorded champions, and whether you warm to Argerich's volatility, or Perahia's...
Reviewed in issue 6/1995
I wish this had been the run-through, and the Naxos team had then thrown off their inhibitions and given us...
Reviewed by Alan Blyth in issue: 8/1997
This reissue has me in two minds. It has the benefit of Fricsay's well-known, crisp, resolute, finely detailed and honed...
Reviewed by Alan Blyth in issue: 10/1994
This is a most welcome and useful compilation. In his review of I Musici's account of the Martin Etudes when...
Reviewed by Robert Layton in issue: 7/1991
From the very beginning of the Piano Quintet it is obvious that this is to be a performance on a...
Reviewed by Michael Oliver in issue: 11/1985
On November 5th, 1955, the Vienna State Opera returned to its restored home, damaged in the war. The opera was...
Reviewed by Alan Blyth in issue: 2/1999
Jennifer Larmore has many enterprising solo discs to her name. To date this is the most impressive of all, not...
Reviewed by John Steane in issue: 10/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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