Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These highlights from three fairly recent DG sets reflect the merits or otherwise of the performances as a whole. Although...
Reviewed by Alan Blyth in issue: 10/1984
Arnold Whittall has observed that the difference between classicism and romanticism is, in essence, a change of emphasis. Moreover, the...
Reviewed in issue 9/1993
The oboe was a special instrument for Bruno Maderna, and he filled these three concertos (composed in 1962-3, 1967 and...
Reviewed by Arnold Whittall in issue: 9/1994
These are decent, idiomatic performances, well worth acquiring at the price, though not without flaw. Alexander Rudin (born in 1960)...
Reviewed in issue 12/1997
Beethoven came to be irritated by the success of his Septet, and told his publisher that the best that could...
Reviewed by John Warrack in issue: 10/2011
Grainger? Chamber Music? was my own first reaction: one which will, I think, be shared by many other listeners. And...
Reviewed in issue 3/1990
With Handel’s delightful, often dramatic Italian cantatas still among his best-kept secrets, a new disc including three otherwise unavailable on...
Reviewed by Richard Wigmore in issue: 4/2010
Her overtly spiritual manner, uncompromising repertoire and refusal to kowtow to authority gave Maria Yudina a saintly aura unique in...
Reviewed in issue 5/1999
An excellent idea to couple the youthful Joseph Joachim's gypsy-style Second Concerto with the Brahms masterpiece that Joachim helped to...
Reviewed by Rob Cowan in issue: 5/2008
Previously heard largely in off-beat repertoire for Collins and Hyperion, Artur Pizarro now re-emerges on Linn Records with performances of...
Reviewed by Bryce Morrison in issue: 3/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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