Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A CD that should be on every violin teacher’s syllabus, not so much because of stylistic ‘correctness’ (authenticists will in...
Reviewed in issue 5/1999
Ever since his triumph in the 1998 Tchaikovsky Competition, Denis Matsuev’s name has inspired awe and amazement in musical circles....
Reviewed by Bryce Morrison in issue: 3/2008
There is a strong kinship between this recording and Meredith Davies’s 20-year-old account, whose reissue I recently welcomed (EMI, 9/97)....
Reviewed by Michael Oliver in issue: 12/1997
Barely 22, Gautier Capucon plays the cello with the control and wisdom of a much older musician. The lightness of...
Reviewed by Julie Anne Sadie in issue: 7/2003
Legnani’s 36 Caprices are uniquely adventurous, varied and technically demanding in the nineteenth-century repertory, hence their neglect by today’s recording...
Reviewed by John Duarte in issue: 11/1998
“A Dream come true” is the ingenious title of one of the booklet’s essays here. Perhaps surprisingly, it doesn’t claim...
Reviewed by John Steane in issue: 13/1998
As I said when reviewing the LP, this is another demonstration disc from Decca in a work that has become...
Reviewed by Edward Greenfield in issue: 2/1987
Though her name seems to be on everybody’s lips just now, this young and eminently successful American soprano has not...
Reviewed in issue 5/1996
With the Paganini Variations and the Second Concerto Kocsis completes his journey through Rachmaninov's works for piano and orchestra. Collectors...
Reviewed by Joan Chissell in issue: 5/1986
Listening to Liszt’s musical description of his travels through Switzerland and Italy affords the same kind of pleasure as reading...
Reviewed by Jeremy Nicholas in issue: 7/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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