Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
James Rhodes’s first release since signing with Warner Classics and Jazz encompasses two distinct and relatively brief recitals made up...
Reviewed by Jed Distler in issue: 6/2011
This Mercury reissue is the equivalent of two analogue LPs, of which the Roman coupling has not been available in...
Reviewed by Ivan March in issue: 2/1991
The gestation period needed to absorb fully this extraordinary World Requiem has simply not been available. So when I admit...
Reviewed by Rob Cowan in issue: 2/2008
Two good Second Symphonies, very unalike, though their respective couplings are more problematic. Douglas Boyd appears to have taken a...
Reviewed by Rob Cowan in issue: 12/2004
An ardent Wagnerian, d'Indy was also an intense nationalist (his orchestration often has a Berliozian airiness, imagination and purity of...
Reviewed by John Steane in issue: 1/1995
Handsomely staged and sumptuously costumed‚ this famous production‚ first seen in 1972‚ makes good viewing; and on DVD the sound...
Reviewed in issue 13/2001
Each song or movement here starts so promisingly that it is sad to have to report an over all disappointment....
Reviewed in issue 1/1985
This is a lovely disc of enchanting choral music. Possibly the Trinity College Choir does not always provide the...
Reviewed by Marc Rochester in issue: 13/2008
The extended series of recordings of an individual composer’s works – if not always the opera omnia – is much...
Reviewed by Tess Knighton in issue: 8/1997
Handel wrote very little for the flute. Indeed, when he wrote the indication ‘flauto’ in his scores he meant recorder....
Reviewed by David Vickers in issue: 9/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.