Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The three Op 31 Sonatas elicit Gerhard Oppitz’s most characterful and personalised playing yet in a Beethoven cycle that’s been...
Reviewed by Jed Distler in issue: 6/2007
It is unfortunate for Schonwandt and Chandos that this release - or, to be exact, one half of it -...
Reviewed by jswain in issue: 4/2000
The Fantasie in C, for me the most heartfelt love-poem ever written for the piano, is the centrepiece of this...
Reviewed by Joan Chissell in issue: 2/1995
In his new film director Sam Mendes continues to explore his fascination for American suburban culture with a portrait of...
Reviewed by Adrian Edwards in issue: 6/2009
Michala Petri has chosen an attractive group of concertos which she plays variously on sopranino, descant and treble recorders. Only...
Reviewed by Nicholas Anderson in issue: 7/1985
Carl Michael Ziehrer (18431922) gained distinction as successor to the Strausses as the very last holder of the official Habsburg...
Reviewed in issue 3/2002
One of the musical success stories of the post-Soviet countries has been Hobart Earle’s association with Odessa Philharmonic Orchestra. Conducting...
Reviewed by John Warrack in issue: 2/1996
Two discs, retailing at a high mid price and playing for a total of 84 minutes? The playing and the...
Reviewed by David Fanning in issue: 3/1994
In the analogue era of the 1970s, Rudolf Kempe’s Strauss recordings had a special place in the catalogue, Karajan notwithstanding....
Reviewed by Ivan March in issue: 12/2009
There are legions of recordings of Liszt's Prelude and Fugue on the name B-A-C-H and with justification. As I have...
Reviewed by Peter Dickinson in issue: 2/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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