Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Despite appearances, ‘Couleurs de Chine’ sounds only mildly ‘exotic’. I think this is more a consequence of the infiltration ofWestern...
Reviewed by bwitherden in issue: 6/2003
If your immediate response to Kagel’s title is to suspect an elaborate joke, study of his text, with lines like...
Reviewed by Arnold Whittall in issue: 6/1996
Dvorak's E flat Symphony, the most rewarding of the early works, with its radiant first movement in a flowing 6/8,...
Reviewed by Edward Greenfield in issue: 5/1988
There is certainly room in the catalogue for a new version of Pelleas und Melisande – ideally for one that...
Reviewed by David Fanning in issue: 11/2000
Nicknamed “Il Buranello” after his birthplace in the Venetian lagoon, Baldassare Galuppi (1706-85) is remembered today for inspiring a sonnet...
Reviewed by Richard Wigmore in issue: 1/2007
The point of this CD is not so much the music as the violins, a 1691 Stradivari and a 1669...
Reviewed by Lindsay Kemp in issue: 8/1996
No manuscript of any of the seven toccatas survives in either Bach's own hand or that of his sons but...
Reviewed by John Duarte in issue: 4/1990
Nyman’s score is a highly effective advertisement for Andrew Niccol’s thoughtful science-fiction film. Based on the subject of genetic engineering,...
Reviewed in issue 5/1998
The Hilliards here return to familiar territory with a programme of Tallis, Tye and Sheppard. While the territory may be...
Reviewed by Ivan Moody in issue: 10/2008
This welcome reissue shows Yehudi Menuhin in a role that’s easily overlooked – as an instigator and performer of new...
Reviewed by DuncanDruce in issue: 10/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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