Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a carefully composed anthology, even a concept album, designed and conducted by John Adams. He and the producer,...
Reviewed by Peter Dickinson in issue: 7/1991
Few recordings of hitherto obscure 18th-century operas have been as convincing as this. Joseph Schuster (1748-1812) was the son of...
Reviewed by David Vickers in issue: 13/2003
This is announced as the first volume in a new series of discs devoted to Italian song, and there could...
Reviewed in issue 9/1997
There are 36 pieces here, most of them less than two minutes long, so the collection is rather too bitty...
Reviewed by Michael Oliver in issue: 12/1993
I seem to have missed this when it first appeared in 1968. Since then Simon Preston has made his celebrated...
Reviewed in issue 11/1987
It would make the collector's life a lot easier if guitarists did not so often permutate their programmes like hopefully...
Reviewed by John Duarte in issue: 2/1987
Vivaldi’s opera combines magic, heroism and comedy to tell of a seductive sorceress, a noble knight driven insane by love,...
Reviewed by David Vickers in issue: 4/2005
An excellent bargain version of a favourite Dvorak symphony which again demonstrates Enrique Batiz's gift for bringing a performance alive...
Reviewed by Ivan March in issue: 11/1985
Carlos Kleiber, so Lillian Kleiber’s note assures us, has conducted Beethoven’s Pastoral Symphony on only one occasion, in Munich’s National...
Reviewed by Richard Osborne in issue: 7/2004
Almost any 90-second fragment of Bax's Winter Legends, heard at random, will persuade you that it must be one of...
Reviewed by Michael Oliver in issue: 2/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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