Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When JOC reviewed the Lark Quartet’s Arabesque coupling of these two works back in March 1997 she remarked that the...
Reviewed in issue 5/1999
When Warners’ Giant was previewing at cinemas in the US, the unfinished score by Dimitri Tiomkin was temporarily tracked with...
Reviewed by Adrian Edwards in issue: 11/2003
The universality of Bach’s music has been well established by the wide variety of ‘inauthentic’ treatments it has been subjected...
Reviewed by John Duarte in issue: 8/2000
I think that every note of Ruth Crawford Seeger’s solo piano music is on this disc‚ and it adds up...
Reviewed in issue 6/2002
The 12-piece “Album for bright children” includes some of the most frequently anthologised of Rossini’s late piano pieces. Naxos’s 30-year-old...
Reviewed by Richard Osborne in issue: 5/2009
Der Freischütz is a work on which young German opera conductors cut their teeth and to which old German conductors...
Reviewed by John Warrack in issue: 3/2008
Until Ansermet's Decca recording of Magnard's Third Symphony reached us in 1969, it is safe to say that his music...
Reviewed by Lionel Salter in issue: 1/1989
One reason why the recordings by Thibaud, Cortot and Casals have such a wonderful freshness is that the players came...
Reviewed in issue 10/1989
At opposite interpretative poles in Sheherazade are Suzanne Danco (1954 Decca Historic) and Maria Ewing (1989 EMI): the former with...
Reviewed by John Steane in issue: 3/1993
The Masses in C, K317 and 337, which date from 1779 and 1780 respectively, are the last of Mozart's 15...
Reviewed by rgolding in issue: 10/1984
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.