Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The roll call of Goldberg's on disc amounts almost to one first-class version per variation. I cannot think that there’s...
Reviewed by Rob Cowan in issue: 12/2000
This disc begins with the first movements of Bach’s Third and Fifth Brandenburg Concertos (the latter abbreviated), interpreted very conventionally...
Reviewed by Jed Distler in issue: 10/2007
EMI Angel have followed the pattern of their recent release of The Arcadians (3/94) by reissuing an HMV recording of...
Reviewed by Adrian Edwards in issue: 11/1994
This was originally a two-record set that included the Second Symphony and In Central Asia. It is now very effectively...
Reviewed by John Warrack in issue: 8/1985
If the name is unfamiliar, then you can’t have been paying close enough attention to your Chopin studies. Julian Fontana...
Reviewed by Jeremy Nicholas in issue: 12/2008
This Prélude à L’après-midi d’un faune is a reading which distils an almost indecently sultry languor and is marked by...
Reviewed by Andrew Achenbach in issue: 7/2011
This bold, eclectic, well-planned programme, moving from plainsong to spiritual with contrasting groups of song in between, is typical of...
Reviewed by Adrian Edwards in issue: 2/2003
‘Exception must always be made for Mercadante,’ wrote Liszt in the course of a bleak survey of contemporary Italian opera....
Reviewed in issue 8/1999
I thought at first that we might have a winner here. The opening paragraph of the main work is beautifully...
Reviewed in issue 10/1997
When I reviewed Vol. 2 of Martin’s Gottschalk set (10/94), I ended by suggesting a Vol. 3. Seldom has a...
Reviewed by Peter Dickinson in issue: 6/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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