Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
American music, Icelandic instrumentalists British venue. It may seem an unlikely combination, but the results are by no means implausible...
Reviewed in issue 11/1993
Aided by some handsome engineering (Andrew Keener's first-rate Abbey Road production boasts an especially opulent bass response), Claus Peter Flor's...
Reviewed by Andrew Achenbach in issue: 10/1993
Even with a bonus of a strong, dramatic account of the Ruy Blas Overture this disc is not over-generous in...
Reviewed in issue 2/1993
Haydn's symphonies, evoking to a greater or lesser extent the times of day, date from about 1761 and were probably...
Reviewed by Nicholas Anderson in issue: 10/1989
With the possible exception of Der Freischutz Weber's operas have not survived on the stage because, like Schubert's, their librettos...
Reviewed in issue 9/1986
I haven’t heard enough of the present series to know whether it is an example of the art of the...
Reviewed by Richard Osborne in issue: 1/2003
Despite its chorus of brigands who are musically about as lethal as the pirates of Penzance, and despite a denouement...
Reviewed in issue 7/1993
With his Pedagogical Sketchbook often regarded as a virtual manual in composition, Paul Klee has exerted a far-reaching influence on...
Reviewed by kYlzrO1BaC7A in issue: 4/2006
And they say the contralto is an extinct breed! Hear these regal tones ascend the scale in “Nebbie” and descend...
Reviewed by John Steane in issue: 13/2010
Elliott Carter served a long apprenticeship as a composer for whom the neo-classical Stravinsky was the acme of progressive modernism....
Reviewed by Arnold Whittall in issue: 6/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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