Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Another imaginative release in this British series devoted to American music of which the major landmark is the first modern...
Reviewed by Peter Dickinson in issue: 4/1996
The new Sony set comes tantalizingly close to being an unqualified recommendation. Levine realizes the nobility and inner intensity of...
Reviewed by Alan Blyth in issue: 4/1993
If any quartet was going to match the Gramophone Award-winning Mosaiques in these works, it was always likely...
Reviewed by Richard Wigmore in issue: 6/1998
The Art of Fugue occupied Bach's mind intermittently, at least, during the last decade of his life. He left it...
Reviewed by Nicholas Anderson in issue: 6/1985
The swings of fortune are going the way of Cecile Chaminade at the moment. For so long seemingly remembered as...
Reviewed by Andrew Lamb in issue: 9/1992
If you want Aida as music-theatre, this is undoubtedly the set to have. On none of the rival sets on...
Reviewed by Alan Blyth in issue: 11/1987
Canadian-born composer Tom Ingoldsby will be 50 next year. I’d not encountered him before, but on this evidence he deserves...
Reviewed by Arnold Whittall in issue: 6/2006
Maria Reining was the jugendliche-dramatische soprano who took over the majority of Lotte Lehmann's roles at the Vienna State Opera...
Reviewed by Alan Blyth in issue: 9/1992
Those who are able to follow Anne Sofie von Otter's live recitals and stage performances will have noticed how much...
Reviewed by hfinch in issue: 4/1991
Just as the 1972 Last Night (Philips, nla) was remarkable for the unforgettable appearance of Jessye Norman in one of...
Reviewed by Edward Greenfield in issue: 10/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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