Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Having lavished such sensitive and heartfelt advocacy on Edmund Rubbra‚ Richard Hickox and his admirable BBC National Orchestra of Wales...
Reviewed in issue 2/2002
Impressive as all these performances of the Tchaikovsky Concerto are in their varying demonstrations of virtuosity and expressiveness, it is...
Reviewed by Edward Greenfield in issue: 12/1993
Reviewed by Richard Osborne in issue: 12/2002
I would begin with Side 2, if I were you: start at the beginning, as I did, and you will...
Reviewed by Michael Oliver in issue: 7/1986
It is not long since Enrico Gatti and the Aurora Ensemble brought us a disc of seven of Vivaldi’s Op...
Reviewed by Lindsay Kemp in issue: 7/2008
In a field that is already so well tilled, a newcomer must offer something special if it is to make...
Reviewed by Alan Blyth in issue: 3/1986
I hate to lead off with a negative point, but the packaging of this disc is very misleading. From the...
Reviewed in issue 1/1996
Chester-born Stephen Watson (b.1955) evidently revels in the extravagantly varied range of colour and weight that the full modern orchestra...
Reviewed by Andrew Achenbach in issue: 7/1997
I’d have been impressed by the unity of purpose and style of these performances, I think, even without knowing that...
Reviewed by DuncanDruce in issue: 3/1997
In all Paganini wrote 15 quartets for string trio and guitar, of which these players recorded the first nine in...
Reviewed by John Duarte in issue: 4/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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