Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Has Rautavaara written himself out? Not in the sense of his continuing production of large-scale works (unlike, say, Sibelius, Lilburn,...
Reviewed by Guy Rickards in issue: 8/2010
Though he wrote a few large-scale orchestral works, Suk was happier with smaller forms, and his piano music includes some...
Reviewed by John Warrack in issue: 2/2006
Schubert from Spain: bright, fresh, lively, colourful and never over-sophisticated. In theory, that should in itself be enough for a...
Reviewed by John Steane in issue: 11/1999
Without doubt, this has to be one of the most satisfying, nay galvanizing, two-piano recitals I have had the pleasure...
Reviewed by Michael Stewart in issue: 2/1993
The magical opening of Savitri, with Death slowly advancing through the forest towards the cowering Savitri, sounds better than ever...
Reviewed by John Warrack in issue: 2/1988
Maybe some readers will ask “Lionel who?” Monckton’s name has not been much bandied about in recent decades. One of...
Reviewed by po'connor in issue: 6/2008
Not many people now can have heard the Capet Quartet live: their leader died in 1928, and the present recordings...
Reviewed by Lionel Salter in issue: 12/1995
The Chilingirian Quartet give a thoughtful yet passionate account of Bartok's Quartet No. 6. They are good at the transitions...
Reviewed by Christopher Headington in issue: 9/1989
A modern cello is used in each of these sets, neither of which makes any special claim to 'authenticity' but...
Reviewed by John Duarte in issue: 4/1995
Here is still further treasure taken from Gilels’s early Paris and New York Columbia recordings. Few pianists exist today of...
Reviewed by Bryce Morrison in issue: 5/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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