Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This new version of Berlioz’s légende dramatique brings with it a strong Méphistophélès to dominate the proceedings in Alain Vernhes....
Reviewed by John Warrack in issue: 7/2006
So there has been a Frank Bridge revival, has there? If there has, it was very largely prompted by the...
Reviewed by Michael Oliver in issue: 9/1986
In listening to this disc, I tried to put out of my mind the annoyance caused by its presentation. Instead...
Reviewed by DuncanDruce in issue: 12/2003
No doubt such titles are not meant to be taken seriously, but I find some difficulty in accepting the idea...
Reviewed in issue 9/1989
At the Proms this year Richard Margison gave a good account of himself in the title-role of Verdi’s Don Carlo...
Reviewed in issue 11/1996
These are the first recordings the VPO have made of both these pieces, which are outside their normal repertoire, and...
Reviewed by Ivan March in issue: 7/1986
Trying to determine for which instrument – organ, harpsichord or clavichord – Buxtehude’s keyboard works were intended is a difficult,...
Reviewed by Lionel Salter in issue: 7/1999
The central connection of the works collected here is the use as a solo instrument of the oboe – or...
Reviewed in issue 6/1996
A year ago (9/07) Stiffelio was reported sinking under the weight of a lavish production at the Metropolitan. At Covent...
Reviewed by John Steane in issue: 9/2008
A century after Richard Strauss’s Elektra crafted the definitive conjunction between musical modernism and ancient Greek drama, Aribert Reimann has...
Reviewed by Arnold Whittall in issue: 5/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.