Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A previous CD by this choir (Byrd's Cantiones Sacrae—CRD3408, 10/86) disappointed with its recorded quality. This one is a great...
Reviewed in issue 4/1987
In attempting to clean up Bernstein's lower West Side, Edo de Waart has come hopelessly unstuck. There isn't much of...
Reviewed by Edward Seckerson in issue: 5/1991
The piano is still one of the most difficult instruments to record really well. All too often the sound emerges...
Reviewed in issue 12/1987
We are blessed, it seems, with an excellent new generation of countertenors at present. Andreas Scholl and David Daniels have...
Reviewed by Lindsay Kemp in issue: 4/1999
Here is a collectors’ item beyond price: a living rather than fabricated example of just what is possible from a...
Reviewed by Bryce Morrison in issue: 2/1996
It's a complicated business, listening—but often it's not until problems begin to arise that you realize how complicated it is....
Reviewed by Stephen Johnson in issue: 7/1992
As many readers will recall, the Canadian pianist, Louis Lortie, was one of the outstanding talents brought to light on...
Reviewed by Joan Chissell in issue: 1/1987
I’m afraid that I can find little to commend this disc. Schubert’s duets are a rich source, but 65 minutes...
Reviewed by Tim Parry in issue: 13/1998
This is the third of Hakan Hardenberger's recordings of baroque concertos for Philips. Firstly came an all-Telemann disc (8/88) and...
Reviewed by Jonathan Freeman-Attwood in issue: 5/1995
''The 'Pergolesi' Concerti Armonici attributed to Unico Wilhelm Graf van Wassenaer'', the sleeve is headed. It might better have been...
Reviewed by Stanley Sadie in issue: 3/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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