Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These two well-filled mid-price discs provide a useful survey of Mozart's keyboard music for four hands, whether at one piano...
Reviewed by Christopher Headington in issue: 11/1991
Martinu’s stock has been rising since the BBC Festival two years ago, and the acclaim of his final opera, The...
Reviewed by Peter Dickinson in issue: 12/2000
A new Hough disc is one of life’s pleasures. You know the programme will have been carefully considered and nurtured,...
Reviewed by Jeremy Nicholas in issue: 5/2010
The flood of Bliss recordings, celebrating his centenary, continues; and this one leaves no doubts concerning the effectiveness of Philip...
Reviewed by Arnold Whittall in issue: 1/1992
Bychkov has long had an affinity with the music of Strauss and that is admirably revealed in these two contrasted...
Reviewed by Alan Blyth in issue: 11/2005
Lefébure-Wély was Widor’s predecessor at the famous Paris church of Saint-Sulpice in the first half of the 19th century. His...
Reviewed by Christopher Nickol in issue: 7/2007
This is the third recording of Du Caurroy’s Requiem in as many years. Ensemble Doulce Memoire used counter-tenors on the...
Reviewed by Fabrice Fitch in issue: 10/2000
Unlike some of the recordings in Michael Gielen’s Mahler cycle, this version of No 1 is not a reissue but...
Reviewed by David Gutman in issue: 12/2003
Michelangeli ranks among the grandest of all musical autocrats. And when his transcendent mastery is complemented by warmth, wit and...
Reviewed by Bryce Morrison in issue: 3/2009
The three concerto/concertinos by John Addison‚ Eric Fogg‚ and Peter Hope are all most engaging‚ and would grace any concert...
Reviewed in issue 8/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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