Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It was a brave idea to record this CD; of the nine transcriptions, four of them are completely unfamiliar and...
Reviewed by James Methuen-Campbell in issue: 10/1987
This lavishly packaged CD – a hardback book runs to some 80 pages in four languages with three separate background...
Reviewed by Adrian Edwards in issue: 7/2005
My heart sank when I saw this CD, but my spirits soared as soon as I played it. Sony’s title...
Reviewed in issue 5/1999
Much the same comments apply to Paul Berkowitz's Schubert C minor Sonata as to his recording of the A major,...
Reviewed in issue 11/1987
David Sawer is now in his mid-forties, and this disc charts aspects of his stylistic development since the mid-1990s. The...
Reviewed by Arnold Whittall in issue: 4/2007
This disc confirms my belief that Kasarova is the most exciting young singer on the international scene. Being the questing,...
Reviewed by Alan Blyth in issue: 9/1997
For the last five years Danny Elfman has been developing a new style, a step beyond the cartoon-ish ‘Elfmanesque’ antics...
Reviewed in issue 5/1999
No sooner had I reviewed a collection of German trumpet concertos on Capriccio (see above) and welcomed an outstanding East...
Reviewed by Ivan March in issue: 12/1987
It seems odd to think that, with several complete cycles on the market of Hindemith’s sonatas for viola with and...
Reviewed in issue 8/1996
In selecting works by Mexican, Brazilian and Cuban composers for their ‘rhythmic essence and passion’, the young Canadian guest conductor...
Reviewed by Lionel Salter in issue: 3/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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