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Review of Purcell - Love Songs

Purcell - Love Songs

This is a maddening disc, because it is so good and yet could have been so much better. It’s heartening...

Reviewed by Richard Lawrence in issue: 10/2010

Review of Brahms Piano Concertos, etc

Brahms Piano Concertos, etc

Gerard Oppitz is ranked as the foremost German pianist of his generation. Having just turned 40, he is no longer...

Reviewed by James Methuen-Campbell in issue: 7/1994

Review of Verdi Aida

Verdi Aida

This 1981 San Francisco Aida, a fairly routine production, marked the débuts of Pavarotti as Radames and Price in the...

Reviewed by Alan Blyth in issue: 2/2003

Review of Monteverdi Vespers

Monteverdi Vespers

Philippe Herreweghe conducts a spacious and flexible reading of Monteverdi's 1610 Vespers. It is also relatively gentle and soft-edged by...

Reviewed by David Fallows in issue: 2/1988

Review of Debussy Solo Piano Works, Vol 1

Debussy Solo Piano Works, Vol 1

If asked to encapsulate Jean-Efflam Bavouzet’s highly anticipated Debussy Préludes in two words or less, I’d say “con amore”. Given...

Reviewed by Jed Distler in issue: 7/2007

Review of Komitas; Mansurian Works for Viola and Percussion

Komitas; Mansurian Works for Viola and Percussion

When a small country has been subject to occupation by more powerful states over a long period of time, its...

Reviewed by bwitherden in issue: 10/2003

Review of Isaac Stern plays Mozart, Beethoven and Haydn

Isaac Stern plays Mozart, Beethoven and Haydn

The very start of Mozart’s Serenata notturna is disconcerting, with a very hefty-sounding chamber orchestra set against delicate-sounding soloists, not...

Reviewed by Edward Greenfield in issue: 5/1999

Review of Sacred Choral Works

Sacred Choral Works

Tercentenary tributes to Domenico Scarlatti seem pretty scarce at the moment so a recording of his ten-part Stabat mater with...

Reviewed by Nicholas Anderson in issue: 7/1985

Review of Rimsky-Korsakov Scheherazade & Capriccio espagnol

Rimsky-Korsakov Scheherazade & Capriccio espagnol

As we discovered with the Kondrashin/Philips version, the pausefulness of Scheherezade at the very start and at many other points...

Reviewed by Edward Greenfield in issue: 7/1984

Review of Borodin/Rimsky-Korsakov Orchestral Works

Borodin/Rimsky-Korsakov Orchestral Works

It is now ten years since Beecham's classic recording of Scheherazade was last given a new transfer, when it was...

Reviewed by Edward Greenfield in issue: 9/1987


 

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