Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a maddening disc, because it is so good and yet could have been so much better. It’s heartening...
Reviewed by Richard Lawrence in issue: 10/2010
Gerard Oppitz is ranked as the foremost German pianist of his generation. Having just turned 40, he is no longer...
Reviewed by James Methuen-Campbell in issue: 7/1994
This 1981 San Francisco Aida, a fairly routine production, marked the débuts of Pavarotti as Radames and Price in the...
Reviewed by Alan Blyth in issue: 2/2003
Philippe Herreweghe conducts a spacious and flexible reading of Monteverdi's 1610 Vespers. It is also relatively gentle and soft-edged by...
Reviewed by David Fallows in issue: 2/1988
If asked to encapsulate Jean-Efflam Bavouzet’s highly anticipated Debussy Préludes in two words or less, I’d say “con amore”. Given...
Reviewed by Jed Distler in issue: 7/2007
When a small country has been subject to occupation by more powerful states over a long period of time, its...
Reviewed by bwitherden in issue: 10/2003
The very start of Mozart’s Serenata notturna is disconcerting, with a very hefty-sounding chamber orchestra set against delicate-sounding soloists, not...
Reviewed by Edward Greenfield in issue: 5/1999
Tercentenary tributes to Domenico Scarlatti seem pretty scarce at the moment so a recording of his ten-part Stabat mater with...
Reviewed by Nicholas Anderson in issue: 7/1985
As we discovered with the Kondrashin/Philips version, the pausefulness of Scheherezade at the very start and at many other points...
Reviewed by Edward Greenfield in issue: 7/1984
It is now ten years since Beecham's classic recording of Scheherazade was last given a new transfer, when it was...
Reviewed by Edward Greenfield in issue: 9/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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